Revelation 15 KJV
The Seven Angels with Seven Plagues
Revelation Chapter 15: The Seven Angels with Seven Plagues
The victors' song is explicitly titled both the song of Moses and the song of the Lamb, forging a direct typological bridge between the Exodus plague narrative and the final outpouring of wrath, with the sea of glass mingled with fire evoking both the Red Sea crossing and the fiery furnace of Daniel.
1nd I saw another sign in heaven, great and marvellous, seven angels having the seven last plagues; for in them is filled up the wrath of God.
2 And I saw as it were a sea of glass mingled with fire: and them that had gotten the victory over the beast, and over his image, and over his mark, and over the number of his name, stand on the sea of glass, having the harps of God.
3 And they sing the song of Moses the servant of God, and the song of the Lamb, saying, Great and marvellous are thy works, Lord God Almighty; just and true are thy ways, thou King of saints.
4 Who shall not fear thee, O Lord, and glorify thy name? for thou only art holy: for all nations shall come and worship before thee; for thy judgments are made manifest.
5 And after that I looked, and, behold, the temple of the tabernacle of the testimony in heaven was opened:
6 And the seven angels came out of the temple, having the seven plagues, clothed in pure and white linen, and having their breasts girded with golden girdles.
7 And one of the four beasts gave unto the seven angels seven golden vials full of the wrath of God, who liveth for ever and ever.
8 And the temple was filled with smoke from the glory of God, and from his power; and no man was able to enter into the temple, till the seven plagues of the seven angels were fulfilled.
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Did You Know?
The victors' song is explicitly titled both the song of Moses and the song of the Lamb, forging a direct typological bridge between the Exodus plague narrative and the final outpouring of wrath, with the sea of glass mingled with fire evoking both the Red Sea crossing and the fiery furnace of Daniel.
One of the four living creatures hands the golden vials to the angels, transferring the prerogative of executing wrath from the cherubim who guard the throne to ministering angels, a detail underscoring the creatures' ongoing administrative role in heavenly liturgy.
The temple is described as the 'tabernacle of the testimony,' deliberately echoing the wilderness sanctuary's ark of witness and implying that the plagues fulfill the covenant curses of Leviticus 26 and Deuteronomy 28 against persistent idolatry.
Smoke filling the temple so that no one can enter until the plagues finish mirrors the cloud that prevented Moses from entering the tabernacle (Exodus 40) and the priests from ministering at Solomon's temple dedication (1 Kings 8), but here signals irreversible judgment rather than temporary consecration.
The angels' attire of pure white linen with golden girdles deliberately recalls both the high priest's garments and Christ's own appearance in Revelation 1, casting the plague-bearers as priestly agents who mediate God's wrath in a final act of sanctuary cleansing.